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Manchurian
Candidate is a brilliantly realized, acidic satire of American political life. The
director takes us into a strange, hallucinatory world that is hard to shake, long after
the movie is over.
Cary Grant plays an innocent
man framed for murder in this exciting and enjoyable mystery that has him chased across
the eastern United States. Its fun. Its smart. Its even sexy. And
its one of Alfred Hitchcocks most enjoyable films.
Wrenching account of the true
story of the destruction of a successful black community by a neighbouring village of
racists in 1920's Southern Florida. Fine performances, sophisticated characterisations.
Firmly establishes John Singleton as one of the most important young filmmakers.
This fast-paced psychological
thriller features a tight plot, believable script and effective performances by Michael
Douglas and Gwyneth Paltrow. It's a successful remake of Alfred Hitchcock's Dial M for
Murder that proves jealousy, greed and lust are timeless.
Political spin-doctor turns
to Hollywood to alter reality and rescue the US president from an inconvenient sex
scandal. Dustin Hoffman, Robert De Niro and Anne Heche seem to have fun in this enjoyable
satire about politics and the media.
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The television series is made
into a movie in this solid, but less than overwhelming science fiction
mystery-action-thriller with a convoluted plot, impressive special effects, and a whole
lot of time spent crawling, running and fighting in the dark.
Trash-noir Hollywood style,
featuring Matt Dillon as a high school counsellor who is accused of rape by students Neve
Campbell and Denise Richards. Kevin Bacon plays a local cop who smells a rat. Its
your basic pure, vulgar entertainment.
Latest Bond film faithfully
follows the familiar formula. Jonathan Pryce is good as a bad guy media mogul, Michelle
Yooh is great as Bonds sidekick. As usual, good chase scenes, interesting gizmos,
beautiful women and bad jokes rule the day.
A John Grisham story that
focuses less on grand conspiracy and more on individual characters. Director Francis Ford
Coppola makes a good effort, but his interesting character-based approach eventually
dissolves into yet another uninspired courtroom drama. Some good performances.
A slightly off centre 'who
knows what?' mystery-thriller that's at its best when showing us the strange world of its
protagonist Jerry Fletcher, and weakest when trying to convince us that Julia Roberts'
character might actually fall for him.
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